Showing posts with label Inverness. Show all posts
Showing posts with label Inverness. Show all posts

Monday, March 23, 2015

A Song of Inverness

We spent the last week perched on the Inverness ridge, at eye level with the aerie of two courting osprey, the incoming fog, a sliver of Tomales Bay below. It is astounding, how much the human heart can love a place; an old ache, bigger than might seem possible. Some places, some journeys, are best kept close to the bone. Not everything needs be shared in this quick-to-share world. But I'd like to share with you a few notes from those precious days with nothing to do but sink into a kind of human baseline (for a bobcat baseline is an overstep walk...), with nothing to do but love the nettles, love the bay, love the fog, love the pine peaks and salt, love each other and this world. 


Taking the land into the body is a way of greeting, of saying thank you. These tea things were gathered from alder shade and coastal scrub, and a bouquet of wild radish as well (because beauty is medicine too).


The osprey, making a home, moving sticks and filling the air with kee kee kee. 



 Gold flecks in the sand at the shore of Tomales Bay. Maybe mica, maybe something else, chipped off old granite. They are a whirl of stars under bare toes.


A whole day drifting and paddling through the benevolent waters of Tomales Bay, that old mother fault zone, another world—an old kind of magic. To be, for a day, as buoyant as any loon.



From the view of osprey and hawk, Tomales Bay is a great blue ribbon, the boundary between two tectonic plates.


On secret shores, the dogwood was a red fire, the marsh grasses long and green, moving under the hands of the wind.


And the ceanothus hung down cliffs toward the bay, a blue hum of honey scent and bees.


On the Inverness ridge, the old granite spine of Point Reyes, made of the same granite as the Sierras long ago, the Douglas firs were constellations of new green tips. (So many cups of tea!)


Just before blooming, the cow parsnips were like the heads of medieval ladies, gleaming and wise, with many secrets and love poems tucked in their headdresses.


The starry solomon's plume opened on the day of the spring equinox, quiet and true.


And a morning walk to the bay shore, with tea and notebook,  a quick secret swim, is my idea of true bliss.





The great blue heron had the same idea for a peaceful morning as I. He flew away at my coming, but left his enormous prints, the size of my hands.


To sit with an iris, and learn some of her secrets: this to me is the same thing as prayer.

I'll leave you with a piece of a poem from my journal, iris inspired—

Meanwhile, in the meadows, on the ridges
the irises stand under the sun. Their bulbs
are ancient,  older than dairies, older than barns.
That's why they will tell you easily
vociferously, demanding you listen—
stand down out of your  own way,
so the purple gleam of Always,
that old ecstasy, may turn you
lush as this ridge, this bay, this matriarchy
of bulbs, all gleaming.

Kee kee, call the osprey.
Time for tea.

Friday, March 13, 2015

What is it About Grace

A little poem, written a moon ago, about grace, about life, about the land I love, Point Reyes. 



What is it about grace—
how it comes down upon you
in the form of a sunrise
over the green knuckles
of Black Mountain, a lick of peach


across the bay, then all at once
the whole star, balanced there
at the edge and rising, how in
that moment you know 
that you are watching the earth 
move.

Yes. That should be enough to bring
you to your knees, but then there are
the woodpeckers, laughing, and
the robins, calling, and the light coming in
on the wooden walls, on the man you love,
sleeping—

 

but what is it about grace
which is also the silver body of a gray
squirrel at the bottom of the hill,
one leg crushed in the middle of
the road called Sir Francis Drake,
how she is staring from great black
eyes and writhing to get up
but you know she will never get up again,
and what is grace if not also mercy?
How can you leave her there in the road
to be flattened a dozen more times
before lunch? What is this world,
with the bodies of animals crushed
into its roads like old shoes?

It doesn’t feel like grace
when you, shaking, turn the car
around and come back
knowing it will be her swiftest death
knowing you have no knife, no hammer
to finish her fast. It doesn’t feel like grace,
the small thump under the wheel, how dying
her whole silver tail waves like a banner
three times before it’s still.

You roll her out of the road with two sticks.
Her body is perfect and limp, save the
red bloom of her head. She is silver and clean
as a moon, setting behind Black Mountain
in the daylight. You cover her in hanging moss
and wild vetch and say words
for her squirrel soul and it feels like grace
her final peace, that she suffered less
than she might have


and yet she stays there in you
later when, at the edge of the world
with the man you love, at the edge of the world
where you can see the gray whales
swimming south to Baja, there is a tiny beach
far below where mother elephant seals have come
and given birth to wrinkled babies, dark as
silt, with velvet skins that bunch up around their
necks, just like big coats.

They are lounging;
no other word for it
babies nosing their mother’s bellies for milk,
sweeping sand up on their bodies with their flippers
to cool down the sun which rose over
Black Mountain and will set in the sea.

Nothing can touch them here, only
the sun, and the edges of the
lace long tide, coming and going.


In all of this grace, and the whole impossible
span of the ocean, and the cliffs of Point Reyes
a great curving bowl, a great long arm,
the great journeys of elephant seal, and whale

there is also the gray squirrel,
who didn’t make it across the street
this morning
and how impossibly lustrous

her silver tail.

-Inverness, February 2015